3 days workshop
US$600 per person
Min: 6 people.
Max: 12 people.
Join me for an exciting three-day workshop in my adopted home, beautiful Vancouver, British Columbia.
Day 1: We will photograph the stunning natural rainforest scenery of Lynn Canyon in North Vancouver.
Day 2: In the morning, we will head for Vancouver's lovely Nitobe Japanese Garden; in the afternoon, we'll visit lively Granville Island, with its famous food market, and explore Vancouver's waterfront and skyline.
Day 3: In the morning, a visit to North America's largest Chinese Buddhist Temple; in the afternoon, we'll visit the scenic and historic fishing village of Steveston, and we'll finish up on the way back into town with a stop at the bustling Asian Night Market in Richmond.
includes all workshop-related transportation (departing from the meeting point in downtown Vancouver) and admission to the Japanese garden. You are responsible for meals and your own transportation from your place of residence to Vancouver, hotel, etc.
IF YOU SIGN UP FOR BOTH VANCOUVER AND FLOWERS IN VANCOUVER WORKSHOPS YOU WILL GET A 50 DOLLAR DISCOUNT ON YOUR TOTAL.
Terms of payment: a deposit of 30% of the total workshop cost is due when reserving your space; payment in full must be received at least 30 days prior to the workshop date. If you cancel at least 30 days before the workshop date, all amounts paid will be refunded in full. If you cancel less than 30 days prior to the workshop date, no refunds will be made.
Discount: If you have previously attended one of my workshops, you will receive a 10% discount on all future workshops you attend.
Payment method: You can pay by PayPal, by personal check, or by bank transfer.
in this box:
I am always seeking perfection in my attempt to tell a story in just one frame. As a man, I never really had much interest in reading text; to me the images that illustrate an article or book are the only important thing to focus on. Perhaps Mother Nature sought to compensate for my dyslexia by blessing me with a greater visual imagination.
As a viewer, I love to see how other photographers interpret reality, offering us their unique perspective and point of view to arouse our human curiosity and help us all to develop our creativity by using our imagination.
As an artist, I pay as much attention as possible to details, lighting, colors and texture and include the environment, where the subject of my photograph lives within the frame. I love using my wide-angle lens; I like to make a statement by enlarging a detail in my imagery by deforming the size of objects with this lens, making them appear larger than they really are. It is like underlining a sentence in a book, making it stronger, bolder.
As a photographer, I am obsessed with the idea of being able to tell a full story in one frame only. Too often our minds are influenced by what the narrator or the journalist is telling us; I want individual viewer to be less passive and able to create his or her own vision of reality. That‘s when I feel my mission has been accomplished, because my task is reporting the truth to viewers and at the same time leaving them enough space and freedom to create their own story through their imagination, with my imagery.
Danilo Piccioni
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